Showing posts with label Rachel Barton Pine. Show all posts
Showing posts with label Rachel Barton Pine. Show all posts

June 1, 2009

Rachel Barton Pine Joined a Doom Metal Band

Rachel Barton Pine at an Earthen Grave show


Perhaps that headline comes as a shock to people who only know Rachel Barton Pine's classical music, but it's no secret that she's a big metalhead.  She's recently gotten her hands on a Wood Violins Viper and, as of last January, joined the Chicago-based doom metal band Earthen Grave as a full member.  It's easy to see and hear in the video below that with her electric violin, she has no problem holding her own against the other loud amps and the drumset.

This is "I Carry On" from Earthen Grave's April 10th show at The Pearl Room in Mokena, Illinois:



Yes!  That song's heavy as hell and rocks like a mammyjammer.

Earthen Grave's past sets have included this song and their other originals "Death on the High Seas" and "Dismal Times" between covers of Black Sabbath, Pentagram and Metallica songs.  Vivaldi's Summer is even listed in one of their setlists.  I wonder if it was a RBP solo or an arrangement for the whole band?

Everybody in this band is an experienced musician who's been in the business for several years.  I've been trying to think of a good way to describe their careers, but this excerpt from their MySpace biography says it much better than I could:
With Mark Weiner on vocals, Ron Holzner on bass, Jason Muxlow and Tony Spillman on guitar, Scott Davidson on drums, and Rachel Barton Pine on an extended-range electric violin, Earthen Grave boasts an undeniable collective metal and musical pedigree. Ron was a member of the seminal and seismic doom pioneers Trouble, with whom he played for over fifteen years. Jason is a gifted guitarist and composer who has lived the music, both as a member of the well-respected band The Living Fields and as the founder of Deadtide.com. Scott's dedication has manifested as a drummer in numerous metal bands, booking shows and running radio station Rebel Radio. Tony has been in and around the metal scene for many years, and has worked with such bands as Trouble, Prong and Ministry. Mark has performed and recorded with several bands including Trifog. And while Rachel has never been in a metal band per se, her status as an internationally acclaimed classical violin soloist has taken her all over the world as both performer and music ambassador. While on tour for classical performances, Rachel often visits rock radio stations to perform metal songs and discuss the music's intensity and compositional complexity.

The band is dedicated to exploring new possibilities for the genre. Jason says, "It's not about being the heaviest band or the slowest – it's about having good songs and playing them live." "Scott, Tony and I played doom metal before it was even called that," Ron continues. "And for Jason, the music we pioneered was his influence. We're bringing the strands of the music together – and with Rachel being the first violinist to be a core component of a metal band, we're taking the genre on a new journey." Rachel points out, "I grew up studying classical and listening to thrash and speed metal, and Jason also loves death metal. We all come from doom, but we're not limited to it."
And there you have it.  The only thing that bothers me about this bio is when they write that Pine is the "...first violinist to be a core component of a metal band" since that's not true!  One doesn't need to look further than this blog for examples of metal bands with violinists who are not only core components, but founders of bands (bands who, by the way, have been around for longer than Earthen Grave).  That being said, EG is still a really good band and I'll definitely be keeping an eye on them.  Find out more about them at the links below:

PS: the amp that Pine is using in the above video is a Marshall guitar amp.  Death to the myth.

Photo by Edward Spinelli

December 9, 2008

Rachel Barton Pine: Classical Violinist, Metalhead

Rachel Barton PineThe December 2008 issue of Strings magazine features virtuoso violinist Rachel Barton Pine on its cover. For some reason, it reminded me of the first album of hers that I ever heard: Stringendo: Storming the Citadel. Do you know that one? It’s her metal album.

It was released in 1997, the year after Apocalyptica’s debut album, Plays Metallica by Four Cellos. However, Barton’s recording includes more than just Metallica covers (not at all to say that an album of Metallica covers is bad!). Her range of selections is large, covering classic rock, thrash metal, speed metal, grunge and pop. She even includes two classical pieces just to drive home her point that metal and classical music are not as different as people (from both genres) think. The tracklisting is below:

  1. The Star Spangled Banner (Hendrix)
  2. Thunderstruck / Back In Black (AC/DC)
  3. Sunday Bloody Sunday (U2)
  4. Cowboys from Hell (Pantera)
  5. Blow Up the Outside World (Soundgarden)
  6. Paranoid (Black Sabbath)
  7. Fade To Black (Metallica)
  8. Caprice No. 24 in A minor (Paganini)
  9. Heartbreaker / Black Dog / Stairway To Heaven (Led Zeppelin)
  10. Symphony of Destruction (Megadeth)
  11. All Apologies / Smells Like Teen Spirit (Nirvana)
  12. Passacaglia for violin and cello (Handel, arr. Halvorsen)
  13. The Spirit of Radio (Rush)
  14. One (Metallica)
Listen to it on the rock section of her website; it should start playing right away.

Also worth noting is Pine’s 1998 album, Instrument of the Devil, which follows the path of comparing metal to classical that Stringendo blazed. However, Instrument is an all-classical album focused on destroying the stereotype that the violin plays only pretty and sweet music. This is an album of the music that associates the violin with evil, much like the Satanic reputation that the electric guitar has gained from blues, rock and heavy metal.

I’ll admit that I have not been following her since these two albums came out, so I’m very impressed to find that in addition to her busy concert schedule, she’s maintaining a large and professionally-done web presence. Kudos to her! She has embraced the “Web 2.0” culture and adapted to the new model of music business.

Her homepage is divided into three parts, one for her classical fans, one for rock music (with a motive for turning life-long metalheads on to classical music, of course) and a third part for music business. She is currently making two podcasts, one for classical music and the other for metal, has a blog, a myspace, twitter, flickr, facebook and a YouTube page. Talk about keeping in touch!

More importantly, she understands that music is about taking little parts and building big things with them. Not just making notes and motives into phrases, phrases into sections and sections into pieces of music, but putting music into a social context. It’s as though she asked herself “what’s bigger than ‘art for art’s sake’?” and thus started her musical ambassadorship between genres and the Rachel Elizabeth Barton Foundation for classical musicians in need.

She doesn’t need me to talk about how accomplished her career is, so I won't. However, I do want to draw people’s attention to the fact that she is a socially-aware artist who’s not afraid to break down preconceptions about seemingly disparate styles of music, thus hooking people on music they might not have otherwise heard. That she can throw down a bitchin’ solo on top of it all doesn’t hurt either.

;)

(Photo courtesy of flickr.com/photos/rachelbartonpine)